baroque Archives – The Historical Dance Society

02Apr 2024 by David Parsons

The Early Dance Circle Conference 2024

News

The Early Dance Circle (EDC) Biennial Conference will be held 10-12 May 2024. The Conference brings together international specialists on historical dance topics spanning six centuries of dance history in the delightful surroundings of St Katharine’s Retreat House, Parmoor, Frieth, RG9 6NN, near High Wycombe. The theme for the 2024 gathering is Recovering Historical Dance: “We don’t reproduce the past, we create it” (Hilary Mantel). You can find more details at https://www.earlydancecircle.co.uk/events/#Conference

19Nov 2022 by David Parsons

Weekend course ‘Dancing Well, Dancing Longer’

For dancers, Past events

Led by Kath Waters, the course runs from Friday 3 to Sunday 5 February 2023 at Benslow Music, Benslow Lane, Hitchin, Hertfordshire, SG4 9RB. Participants will explore dances from the Renaissance and Baroque periods with a focus on the development and application of technical skills and safe dance practice. The first evening and each morning will start with a general warm up, using exercises that can be taken away for personal use or use with a group. This will be followed by exploration of technical aspects such as strength, stamina, posture, alignment and co-ordination. These skills will then by applied to sociable Playford country dances on the first evening, Renaissance dances on the Saturday and Baroque dances on the Sunday. The course will be useful to both individual dancers and group leaders. Course Director: Kath Waters.…

12Sep 2022 by David Parsons

WEEKEND COURSE – 1 & 2 October 2022

For dancers, Past events

Dance in the Spanish Golden Age Saturday 1 Oct 2022 10:30–17:00 and Sunday 2 Oct 2022 10:30–17:00 Springs Dance Studio (South Bank Arts Centre), Bedford College, Cauldwell Street, Bedford, MK42 9AH. The course will be led by Ana Yepes, an exceptional dancer and powerhouse of enthusiasm. Ana will bring her expertise gleaned from many years of deciphering Spanish manuscripts that are not available to the general public. Saturday : An introduction to Folía and its variations, which has its own style and step vocabulary, catering also for those with less experience of the period. Sunday: Aiming at more experienced dancers, focus will be on Folies d’Espagne, as performed in the French Court. Dancers will explore ways to accentuate the Spanish quality embedded in the choreography, using Folía arm movements from…

24Apr 2020 by EmilyBowen

Baroque period

Dance history, Education, For dancers, For musicians

Following the foundation of the Académie royale de danse in 1661, Louis XIV ordered academicians to invent a notational system to record dances. In response, at least four systems were in progress in the 1680s, one of which came to disseminate dances of French style across Europe by means of printing/publishing businesses. This prevalent system is called Beauchamp-Feuillet notation today after the names of the inventor/academician, Pierre Beauchamp, and the business man/dancing-master, Raoul-Auger Feuillet. Over 350 dances are extant in this notation system in print and/or manuscript spanning the late 17th to mid-18th centuries, a period roughly matching the baroque era classified in other disciplines (those in the late 18th-century sources are re-notations of earlier publications, except Auguste F. J. Ferrère’s manuscript of theatre production from 1782). Whereas the baroque style in other art…

28Jun 2013 by EmilyBowen

Study Forum 1: Reconstructing Technique – Creating Performance (2013)

Conference publications

Goldsmiths, University of London, 23-24 March 2013 Two days of practical workshops and presentations, guided by leading researchers, teachers and performers. Due to the practical nature of most of the sessions, the proceedings were not published. One of the papers is available to download Roger Clegg, Lucie Skeaping and Anne Daye – Singing Simpkin and other Bawdy Jigs: Recuperating the Song-and-Dance Comedies on the Shakespearean Stage (paper and workshop) Paul and Ann Kent – Ever to Endure: Recreating Dances from the Gresley Manuscript (workshop) Ilona Taure – Bringing the Castle to Life: dance at Bauska Castle, Latvia (presentation) Download Jennifer Kiek – "... and winding heys to tread": an Exploration of Possible Interpretations of the S. Hey in Country Dances from Playford 1651 (workshop) Jennifer Thorp – Revisiting Le Palais…

28Jun 2009 by EmilyBowen

On Common Ground 7: Kings and Commoners: Dances of Display for Court, City and Country (2009)

Conference publications

All Saints Pastoral Centre, London Colney, St Albans, 28-29 March 2009 All the papers are available to download. Anne Daye – Dancing for King and Country: the Jacobean Court Dancer Download Hazel Dennison – Dancing the Barbarian (workshop) Download Maëlle Amand – The Distorted Representations of Dance in Eighteenth-Century Britain: a Study of Parody and Caricature Download Moira Goff – Edmund Pemberton and the Improvement of Dancing Download Barbara Segal – The Hornpipe: a Dance for Kings, Commoners and Comedians (workshop) Download Ann and Paul Kent – Bransles for Display? Download Jørgen Schou-Pedersen – Dances for a Royal Danish Masquerade Download

28Jun 2007 by EmilyBowen

On Common Ground 6: The Minuet in Time and Space (2007)

Conference publications

All Saints Pastoral Centre, London Colney, St Albans - 10-11 March 2007 The conference explored the essential dance of the 18th century, as a solo and a duet, from the 1700s to the 1900s, from the ballroom to the stage and even the silver screen. As well as listening to papers, participants experienced the variety of the minuet in several workshops. Most of the papers are available to download. Teresa Buckland – Keynote Lecture: The world we have lost: minuets and the past in late Victorian culture (not published in proceedings) Moira Goff – Seductive Decorum: the Solo Minuet for a Girl (Workshop) Download Grainne McArdle – The Minuet in Early Eighteenth-Century Dublin Society Download Giles Bennett – The Minuet in 18th-Century Dance Treatises (Workshop) Download Elizabeth Aldrich – Drooping…

28Jun 2005 by EmilyBowen

On Common Ground 5: Dance in Drama, Drama in Dance (2005)

Conference publications

Cecil Sharp House, London, 12 March 2005. All of the papers are available to download. Jeremy Barlow – But at present keep your own secret: Dances in The Beggar's Opera Download Anne Daye – Character in action in the seventeenth-century antimaque Download Hazel Dennison – The significance of drama created through gesture in European dance sources 1450-1720 Download Moria Goff – Weaver, words and dancing in The Judgement of Paris Download Jennifer Kiek – We'll have a crash here in the yard! English country dance in early modern stage plays.Not included in the printed proceedings Download Cecilia Nocilli – La presa di Granata and Il Tronfo de la Fama: the dance in the farces of Iacopo Sannazaro (1492) Download Jennifer Thorp – Drama and dance in Le Ballet de la…

28Jun 2003 by EmilyBowen

On Common Ground 4: The Problems of Reconstruction and Re-creation in Dance (2003)

Conference publications

Cecil Sharp House, London, 29 March 2003 The conference provided an opportunity for scholars and practitioners to discuss with colleagues the issues strategies, results and rationales for reconstruction and re-creation in historical dance. The one-day conference attracted over 60 participants from Britain, continental Europe and the USA to explore the problems of reconstructing dances from verbal descriptions and notated scores, and the value of re-creating dances from contextual information. The speakers presented case studies spanning the period from the Middle Ages to the nineteenth century. Most of the papers are available to download. Patri J. Pugliese – Dancing and fencing from the Renaissance to the 19th century Download Diana Cruickshank – Theres many a slip: the interpretation of 15th-century Italian dance Download David Wilson – Problems and possible solutions in…

28Jun 2001 by EmilyBowen

On Common Ground 3: John Playford and the English Dancing Master (2001)

Conference publications

Cecil Sharp House, London, 24-25 March 2001 Jointly organised with the English Folk Dance and Song Society Over 200 people from both the historical dance and folk dance worlds in Austria, Belgium, Britain, Denmark, France, Germany, Ireland, Japan, Sweden and the USA gathered in London for this event jointly organised by the HDS and The English Folk Dance and Song Society. The formal paper presentations were divided into five sessions over the two days. All of the papers are available to download. Jennifer Kiek – 'That againe': an Exploration of the Formulaic Sequences in early English Country Dance Download Anne Daye – Taking the Measure of Dance Steps 1650-1700, through the Publications of John Playford Download Jeremy Barlow – Tunes in The English Dancing Master 1651: John Playford's Accidental Misprints?…

28Jun 1998 by EmilyBowen

On Common Ground 2: Continuity and Change (1998)

Conference publications

London, 14 March 1998 The conference explored the concepts of continuity and change as seen in the sources for historical dance, and in current research, re-creation and performance. All of the papers are available to download. Barbara Sparti – Early Dance research and performance: past, present and future (Keynote paper) Download Hazel Dennison – Beyond the ballroom: dance as theatre art in 15th-century Europe Download Michael E. Lutz – Continuity and change within the two dance treatises of Fabritio Caroso Download Diana Cruickshank – Caroso's two versions of 'Allegrezza d'Amore' Download Jennifer Thorp – The effectiveness of Beauchamp-Feuillet notation as a means of recording dance in the eigtheenth century Download Helene Kázarová – One music - two dances: Sarabande by Lully Download Madeleine Inglehearn – Queen Anne's dancing master Download…

22Feb 1996 by EmilyBowen

On Common Ground (1996)

Conference publications

Middlesex University School of Dance, incorporating The London College of Dance, Bedford, 24 February 1996 On Common Ground was organised by the HDS, with the assistance of Middlesex University School of Dance, as part of its 25th anniversary celebrations. The aim of the conference was to explore the common ground of the principles and concepts of historical dance shared by researchers and practitioners in the field by bringing together people who value a valid and informed representation of dance of the 15th-19th century in their work and study. It was attended by teachers, researchers, performers, choreographers and students. The common ground was marked out by the sources they all share in arriving at a representation of dancing in the past. All of the papers are available to download. Ivor Guest…

Tag: baroque