Historical Dance – The Journal of HDS (ISSN 0261-0965)
The opinions expressed in articles and reviews are those of the authors and do not necessarily represent the views of the editor of Historical Dance or the committee of HDS.
Volume 3, Number 6, 1999
Dance Steps and Music in the Gresley Manuscript
Jennifer Nevile Page 2-19
Performing Gresley Dances: the View from the Floor
David Wilson Page 20-22
The “London” Dupré
Moira Goff Page 23-26
On the Setting of Music to the 15th Century Italian Dances
Basil Lewin Page 27-29
Volume 3, Number 5, 1998
Viganò, the Coreodramma and the Language of Gesture
Giannandrea Poesio Page 3-8
Resources for the Study of 19th Century Social Dance
Ellis Rogers Page 9-12
‘Sò ben mi chi ha buon tempo’ by Cesare Negri
David R. Wilson Page 13-16
Belinda Quirey
Diana Scrivener Page 17
Volume 3, Number 4, 1996
Masquerade for the pike
Judy Smith and Ian Gatiss Page 2-4
‘Youthful Revels, Masks, and Courtly Sights’: an introductory study of the revels within the Stuart masque
Anne Daye Page 5-22
Volume 3, Number 3, 1994
Taste and ingenuity: three English chaconnnes of the early eighteenth century
Jennifer Thorp and Ken Pierce Page 3-16
Dancing-masters in early eighteenth-century London
Moira Goff Page 17-23
A further look at the Nancy basse dances
David Wilson Page 24-28
The Old Measures and the Inns of Court: a note
David Wilson Page p 28
Volume 3, Number 2, 1993
Costume for masques and other entertainments c1500-1650
Janet Arnold Page 3-20
‘Finita: et larifaccino unaltra uolta dachapo’
David Wilson Page 21-26
Caranto Dyspayne
Ann Kent Page 27-31
Volume 3, Number 1, 1992
‘La giloxia’/’Gelosia’ as described by Domenico and Guglielmo
David Wilson Page 3-9
Doppii suxo uno piede or contrapassi in quadernaria misura
Diana Cruickshank Page 11-13
Baixa dansa in the kingdom of Catalonia and Aragon in the 15th century
Carles Mas i Garcia Page 15-23
The natural magic of Marsilio Ficino
Angela Voss Page 25-30