music Archives – The Historical Dance Society

19Nov 2023 by David Parsons

New Journal articles: Nathalie Dolmetsch

News

A short piece entitled ‘Music and Movement - Music and Dancing -Dancing, Movement and Music’ by Nathalie Dolmetsch (founder of theHistorical Dance Society) was recently passed on to the society byLouise Bailey, her daughter. We have published a online in HistoricalDance a transcription by Anne Daye. Although clearly a first draft, assuggested by the titles, the topic remains relevant to historicaldancers today. To accompany this, we have a biography of Nathalie Dolmetsch written byAnne Daye. It paints a picture of a talented musician, dancer, teacherand organiser (she was also instrumental in founding the Viola da GambaSociety and began the historical dance summer schools) from a remarkablefamily. The article is based on written sources, on conversations ofAnne and Ann Hinchliffe with Marie-Louise Bailey and Marie-Thérèse Budd,Nathalie’s daughters, and on Anne’s recollections…

25Oct 2023 by David Parsons

Residential weekend: Dance and performance at the Jacobean court

Events, For dancers

Now open for booking Friday 26 to Sunday 28 January 2024 at Halsway Manor, west Somerset Dances associated with Ben Jonson's masque Hymenaei will be learnt and animated for an in-house performance of the masque on Sunday. Tutors Anne Daye and Ann Hinchliffe will lead classes, respectively, for more experienced dancers and for improvers. There will be opportunities to sing, play (any portable acoustic instrument) and dress up, in the lively sociable atmosphere of a Tudor country house amid beautiful scenery. For further details, please download the booking form below. Organiser: Ann Hinchliffe, thedancingmaster@outlook.com or 07780 799 613. Bookings: Please download and complete the booking form. Booking form (MS Word) Booking form (PDF)

24Apr 2020 by EmilyBowen

Baroque period

Education, For dancers, For musicians

Following the foundation of the Académie royale de danse in 1661, Louis XIV ordered academicians to invent a notational system to record dances. In response, at least four systems were in progress in the 1680s, one of which came to disseminate dances of French style across Europe by means of printing/publishing businesses. This prevalent system is called Beauchamp-Feuillet notation today after the names of the inventor/academician, Pierre Beauchamp, and the business man/dancing-master, Raoul-Auger Feuillet. Over 350 dances are extant in this notation system in print and/or manuscript spanning the late 17th to mid-18th centuries, a period roughly matching the baroque era classified in other disciplines (those in the late 18th-century sources are re-notations of earlier publications, except Auguste F. J. Ferrère’s manuscript of theatre production from 1782). Whereas the baroque style in other art…

28Jun 2013 by EmilyBowen

Study Forum 1: Reconstructing Technique – Creating Performance (2013)

Conference publications

Goldsmiths, University of London, 23-24 March 2013 Two days of practical workshops and presentations, guided by leading researchers, teachers and performers. Due to the practical nature of most of the sessions, the proceedings were not published. One of the papers is available to download Roger Clegg, Lucie Skeaping and Anne Daye – Singing Simpkin and other Bawdy Jigs: Recuperating the Song-and-Dance Comedies on the Shakespearean Stage (paper and workshop) Paul and Ann Kent – Ever to Endure: Recreating Dances from the Gresley Manuscript (workshop) Ilona Taure – Bringing the Castle to Life: dance at Bauska Castle, Latvia (presentation) Download Jennifer Kiek – "... and winding heys to tread": an Exploration of Possible Interpretations of the S. Hey in Country Dances from Playford 1651 (workshop) Jennifer Thorp – Revisiting Le Palais…

28Jun 2005 by EmilyBowen

On Common Ground 5: Dance in Drama, Drama in Dance (2005)

Conference publications

Cecil Sharp House, London, 12 March 2005. All of the papers are available to download. Jeremy Barlow – But at present keep your own secret: Dances in The Beggar's Opera Download Anne Daye – Character in action in the seventeenth-century antimaque Download Hazel Dennison – The significance of drama created through gesture in European dance sources 1450-1720 Download Moria Goff – Weaver, words and dancing in The Judgement of Paris Download Jennifer Kiek – We'll have a crash here in the yard! English country dance in early modern stage plays.Not included in the printed proceedings Download Cecilia Nocilli – La presa di Granata and Il Tronfo de la Fama: the dance in the farces of Iacopo Sannazaro (1492) Download Jennifer Thorp – Drama and dance in Le Ballet de la…

28Jun 2003 by EmilyBowen

On Common Ground 4: The Problems of Reconstruction and Re-creation in Dance (2003)

Conference publications

Cecil Sharp House, London, 29 March 2003 The conference provided an opportunity for scholars and practitioners to discuss with colleagues the issues strategies, results and rationales for reconstruction and re-creation in historical dance. The one-day conference attracted over 60 participants from Britain, continental Europe and the USA to explore the problems of reconstructing dances from verbal descriptions and notated scores, and the value of re-creating dances from contextual information. The speakers presented case studies spanning the period from the Middle Ages to the nineteenth century. Most of the papers are available to download. Patri J. Pugliese – Dancing and fencing from the Renaissance to the 19th century Download Diana Cruickshank – Theres many a slip: the interpretation of 15th-century Italian dance Download David Wilson – Problems and possible solutions in…

28Jun 2001 by EmilyBowen

On Common Ground 3: John Playford and the English Dancing Master (2001)

Conference publications

Cecil Sharp House, London, 24-25 March 2001 Jointly organised with the English Folk Dance and Song Society Over 200 people from both the historical dance and folk dance worlds in Austria, Belgium, Britain, Denmark, France, Germany, Ireland, Japan, Sweden and the USA gathered in London for this event jointly organised by the HDS and The English Folk Dance and Song Society. The formal paper presentations were divided into five sessions over the two days. All of the papers are available to download. Jennifer Kiek – 'That againe': an Exploration of the Formulaic Sequences in early English Country Dance Download Anne Daye – Taking the Measure of Dance Steps 1650-1700, through the Publications of John Playford Download Jeremy Barlow – Tunes in The English Dancing Master 1651: John Playford's Accidental Misprints?…

22Feb 1996 by EmilyBowen

On Common Ground (1996)

Conference publications

Middlesex University School of Dance, incorporating The London College of Dance, Bedford, 24 February 1996 On Common Ground was organised by the HDS, with the assistance of Middlesex University School of Dance, as part of its 25th anniversary celebrations. The aim of the conference was to explore the common ground of the principles and concepts of historical dance shared by researchers and practitioners in the field by bringing together people who value a valid and informed representation of dance of the 15th-19th century in their work and study. It was attended by teachers, researchers, performers, choreographers and students. The common ground was marked out by the sources they all share in arriving at a representation of dancing in the past. All of the papers are available to download. Ivor Guest…

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