26Sep 2020 by EmilyBowen
Playford Then & Now Festival

Playford Then & Now Festival

For dancers, For musicians, Past events
Following the success of the HDS Webinar Talks and the Online Dance Tutorials – both of which can be found on our YouTube channel – we’re delighted to announce the HDS Playford Weekend Festival – Playford, Then and Now. The enduring popularity of Playford dances and their music from the first edition published in 1651 to the 18th edition in 1728, is a treasure chest for folk dancers, historical dancers, musicians and researchers. Festival sessions will feature talks on a variety of related topics as well as a dance workshop, with renowned speakers from the UK and overseas. Playford – Then and Now – an Online festival via Zoom The ‘Why’ and ‘How’ of his continuing success today through dances, bands, his London, his contemporaries, and choreography Saturday 7th and Sunday 8th…
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24Apr 2020 by EmilyBowen
Baroque period

Baroque period

Dance history, Education, For dancers, For musicians
Following the foundation of the Académie royale de danse in 1661, Louis XIV ordered academicians to invent a notational system to record dances.  In response, at least four systems were in progress in the 1680s, one of which came to disseminate dances of French style across Europe by means of printing/publishing businesses. This prevalent system is called Beauchamp-Feuillet notation today after the names of the inventor/academician, Pierre Beauchamp, and the business man/dancing-master, Raoul-Auger Feuillet.  Over 350 dances are extant in this notation system in print and/or manuscript spanning the late 17th to mid-18th centuries, a period roughly matching the baroque era classified in other disciplines (those in the late 18th-century sources are re-notations of earlier publications, except Auguste F. J. Ferrère’s manuscript of theatre production from 1782).  Whereas the baroque style in other art…
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16Feb 2020 by EmilyBowen

Tips to encourage the use of live music for historic dance

Education, For dancers, For musicians
Many historical performances of dance impress greatly with the meticulous research, careful practice, attention to style, and accurate costumes only to disappoint when a member of the group (or if lucky, a clued in helper) rushes over to press the button for music. Sometimes there ensues a ghastly pause, or even the strains of the wrong music; if correct, at a volume too loud or soft, or distortion from a less than perfect sound system for the performance space. Music is integral to dance, and for historic dance, that meant live musicians, so to present a performance with canned music is clearly an anachronism. The following tips are intended to try to address some of the issues that lead to this being such common situation – the perceived lack of…
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16Nov 2019 by David Parsons

Stepping On: A Conference on Stepping in Dance across the British Isles and Beyond

Conference publications, For dancers, For musicians, Other, Past events
16 - 17 November 2019 Cecil Sharp House, London, UK The British Isles have a rich history of step dancing in many forms and in many forms and contexts, spanning centuries and linking with traditions across the world. Some of these dances and their histories are relatively well-known, others largely lost. The aim of the conference was to further our knowledge and understanding in these traditions and to stimulate debate. Download the proceedings from the Vaughan Williams Memorial Library Download PDF Buy the printed proceedings from the EFDSS Buy Papers In Search of ‘Street’ Clog Dance. Alexandra Fisher Ontario Old–Time Step Dancing and its Connections to the British Isles. Sherry Johnson How fast should we dance: An investigation using recordings. Sean Goddard Hornpipe stepping at barn dances and ceilidhs in…
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